I am a storyteller inspired by the natural and cultural heritage of Aruba.
Multidisciplinary artist and researcher: social engagement has become a crucial
part in my practice. I am constantly looking for a sense of conversation with the
audience, community and environment that shapes my Aruban identity. It holds a
central point of departure to my practice. I am indebted to the roots; my native
tongue Papiamento, a multilingual upbringing, the closeness and correlation with
Caribbean and Latin American art practices as guidance, and the landscape which
stirs mytho-poetic rituals, incantations and performance interventions.. Through
my practice I reflect upon ideas such as origin, the decolonial and non-western
identity and gender fluidity.My work lives in cultural heritage investigation and the
activation of artistic spaces that can form a bridge towards the local community
and contemporary art practices. Inviting a state of reflection and introspection.
My musical and sonorous explorations started from the eagerness to explore the
textures of the Aruban landscape. A simple touch transformed into a caress leading
me to CARICIA. Stimulating all our senses to stir awake the wonder of our ancestral
connection with nature. You are being guided on a journey of remembrance. The
mystery of this intuitive interaction with the landscape is the driving force behind
my practice. Using tools such as loop stations, portable recording engines,
laboratory of artifacts, instruments and special microphones that enables me to
capture the sonic results of this engagement, composing rhythms and melodies
from the immediate interaction with the textures of the landscape. This chain
reaction correlates with shamanic practices where altered states of awareness are
induced through sound and movement.
I have titled “CARICIA' as my artistic
practice, which entails recording the information received through nature
immersions. It allows me to introduce an eco-identity or even tap upon an eco-
psychology which becomes a wellness generating encounter for both me and the
participants that I lead through the practice. A collaborative conversation in
between nature and our senses as a guiding compass for creating pathways and
connections. My work is a synthesis of a deep search for identity through the
engagement with Aruba’s natural and cultural heritage.
As a facilitator I enjoy holding space for embodied explorations using somatic
principles that tap into the intuitive and sense-oriented logic that allows us to
surrender into movement exploration. The method withholds exploring the
materiality of the landscape, allowing it to develop into creation of instruments,
drawings/traces, installations, artifacts and choreography. Moving towards well
being and care by establishing contact with the cultural and natural climate that
shaped me.